An imperfection, characterized by a ridge or mark running in the crosswise or lengthwise directions of the fabric. Barree can be caused by tension variations in the knitting process, poor quality yarns, problems during the finishing process.
The dimension on a garment taken from the center collar attaching seam to the bottom of the garment, or in the case of a coverall, to the top of the waistband.
Back Waist Length
The dimension on a body, taken from the top of the back bone at the base of the neck to the waistline.
Doesn't necessarily mean that it kills bacteria. A stat means that it may simply be slowing growth or holding the death to growth rates of bacteria (same for fungal stats) more or less in equilibrium. Inhibits bacteria growth.
A variation of the plain weave construction, formed by treating two or more warp yarns and/or two or more filling yarns as one unit in the weaving process. Yarns in a basket weave are laid into the woven construction flat, and maintain a parallel relationship. Both balanced and unbalanced basket weave fabrics can be produced. Examples of basket weave construction includes monk cloth and oxford cloth.
A thick woven fabric that is extremely abrasion resistant and tough; has a denier of about 2000, and is used in apparel, packs and gear.
Pant panels that extend to the top of the pant and are folded over without an outside band. A separate inside band lining is sewn through the pant and has an interlining.
A separate band sewn on the pant with stitching that shows on the outside at the top and bottom.
A separate band of body fabric sewn on and turned down so the attaching seam is not visible. Inside the band is a separate lining---made from
pocketing fabric---and interlining.
Strong, soft, woody fibers, such as flax, jute, hemp, and ramie, which are obtained from the inner bark in the stems of certain plants.
A medium-weight, plain weave fabric, usually made of cotton or cotton blends. End-uses include blouses and dresses.
The apparel in contact with your skin. The purpose of the base layer is to keep you warm/cool and dry.
To reinforce a seam with a bar of stitches that provides a more durable seam end. (Commonly used at points of strain.)
Piping or cording formed at lower and inside pocket welts.
An edging or reinforcement around a pocket opening.
Manufactured fiber made of continuous filaments, and made of two related components, each with different degrees of shrinkage. The result is a crimping of the filament, which makes the fiber stretchable.
A process of whitening fibers, yarns, or fabrics by removing the natural and artificial impurities to obtain clear whites for finished fabric, or in preparation for dyeing and finishing. The materials may be treated with chemicals or exposed to sun, air, and moisture.
A cord cotton-like fabric with raised ridges in the lengthwise direction. Since the fabric has a high strength and a high durability, it is often used for upholstery and work clothes.
A term applied to a yarn or a fabric that is made up of more than one fiber. In blended yarns, two or more different types of staple fibers are twisted or spun together to form the yarn. Examples of a typical blended yarn or fabric is polyester/cotton.
The technique of permanently joining together two fabrics or layers of fabrics together by a bonding agent into one package. The bonding of fibers in a single layer of material is called a web. Special adhesives, binders, or thin slices of foam may be used as the marrying agent.
See our Knit Backing and
A knit or woven fabric made from a rough, curly, knotted boucle yarn. The fabric has a looped, knotted surface and is often used in sportswear and coats.
Point on the front edge of the garment at which the roll of the lapel begins. Usually at the same point as the lower end of the bridle.
A plain weave tightly woven fabric, characterized by a slight ridge effect in one direction, usually the filling. The most common broadcloth is made from cotton or cotton/polyester blends.
The movement of water or water vapor from one side of the fabric to the other, caused by capillary action, wicking, chemical, or electrostatic action. Also known as moisture transport.
Broad Spectrum Antimicrobial
An antimicrobial that effectively controls or kills at least 3 of the basic microorganism groups. This term is important to help give a specific encompassing term to technologies that offer protection from the gamut of microorganisms, without the sometimes vague nature of the term antimicrobial, which could mean kills just one type or kills many types.
A heavy, exquisite jacquard type fabric with an all-over raised pattern or floral design. Common end-uses include such formal applications as upholstery, draperies, and eveningwear.
A finishing process for knit or woven fabrics in which brushes or other abrading devices are used on a loosely constructed fabric to permit the fibers in the yarns to be raised to create a nap on fabrics or create a novelty surface texture.
Can be either a cotton or wool fabric, woven in a plain open weave, similar to cheesecloth, and dyed in the piece. Cotton bunting is often woven with plied yarns. Wool bunting is woven with worsted worsted yarns, using strong, wiry wool.
Formed by a contoured patch of zig-zag stitching, followed by a cut---a portion of which is circular. Eyelet buttonholes are usually used on heavy fabrics and/or with large buttons. A gimp or cord is usually contained within the stitches to provide a reinforcement along the edge of the hole.
Formed by two pairs of straight, parallel rows of zigzag stitching, followed by a single, straight knife cut. Each end of the row of stitching is secured by a bartack.
Specified by design, size, color, and type---such as brass, melamine, or pearl, buttons are either shanked (attached by passing threads through the shank's eye) or holed (attached by passing threads through the button's holes).
A loosely constructed, heavy weight, plain weave fabric used as a carpet backing, and as inexpensive packaging for sacks of grain or rice. Also, as fashion dictates, burlap may also appear as a drapery fabric.
A brocade-like pattern effect created on the fabric through the application of a chemical, instead of color, during the burn-out printing process. (Sulfuric acid, mixed into a colorless print paste, is the most common chemical used.) Many simulated eyelet effects can be created using this method. In these instances, the chemical destroys the fiber and creates a hole in the fabric in a specific design, where the chemical comes in contact with the fabric. The fabric is then over-printed with a simulated embroidery stitch to create the eyelet effect. However, burn-out effects can also be created on velvets made of blended fibers, in which the ground fabric is of one fiber like a polyester, and the pile may be of a cellulosic fiber like rayon or acetate. In this case, when the chemical is printed in a certain pattern, it destroys the pile in those areas where the chemical comes in contact with the fabric, but leave the ground fabric unharmed.